OG Anunoby’s whole life prepared him for this Knicks moment

At first, you don’t see him. Like the rest of the 19,812 people in the Garden, or the 23.2 million viewers watching elsewhere, you’re following the ball. Jalen Brunson takes one jabbing step forward before Victor Wembanyama and De’Aaron Fox rush to converge on him, and then he uses the momentum from springing back to jump and lightly launch the ball on a rainbow arc toward the basket. There are a few milliseconds where nobody on the floor appears to move or react and then, as they reflexively all fall in toward the basket, OG Anunoby is there.

It’s hard to track even in replay because Anunoby is moving so fast there isn’t a point you can pause the tape and his body won’t be blurred. All the regular metaphors don’t work. He’s not an arrow, nor a missile (easy, warmonger), maybe the closest is a diving bird of prey, but then we can’t know for sure if a raptor factors in faith with its instincts.

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In about five strides, starting from the end of the scorer’s table where he inbounded to Brunson, Anunoby catches up with the ball. By then Stephon Castle and Dylan Harper are also jumping after him, so that three long arms are tangling toward pebbled orange leather. Anunoby is not first because he’s fast, or because he didn’t hesitate to start his thundering run toward the rim, or because he’s stronger or more athletic. They’re all factors, but the main reason is that each component — the long stride, knowing when to lift from the floor, the ability to soften touch just enough to tip a ball rather than swat it with momentum’s full force — is reflexive. Practiced alone or in sequence hundreds of times. In games, in actual practice, in his head, stakes varying but stakes not really a factor. He did it all not knowing whether Castle or Harper would throw him off course with their bodies, or whether the ball might bounce wide. He did it because Anunoby’s career arc that led to, well, that arc, has been one of effort, willingness and the ability to take himself out of any given moment as its main actor, even if he is. Benevolence, you could say (Karl-Anthony Towns did: “The…

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Publish date : 2026-06-13 16:23:00

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